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" The scene, then, in which Lester imagines his mother's corpse (whom he has callously killed in the film's very opening scene) in the pool is effectively macabre; the finale, too, is worth waiting for: the boy almost coerces Ekland (no sooner has she been released from the asylum) into murdering Kruger and becoming his lover since he tells her she's closer to his own age (Lester being 12 and Ekland 22, while Kruger's 42!); she gives him the impression of agreeing with this latest scheme of his but, realizing the kid will never change, Ekland immediately provides herself with the opportunity to get rid of Lester once and for all… Incidentally, co-director Bianchi would go on to make an even more explicit 'monster child' effort on his home turf with MALABIMBA – THE MALICIOUS WHORE (1979); as for Britisher Kelly, his only other film was the passable Tigon production THE BEAST IN THE CELLAR (1970)"