"The production values are good, directed by Lewis Sellar and there's some smart dialogue - 'he's so crooked, he could hide behind a corkscrew' and to Dietrich 'a Christmas tree is dead until it's all lit up' but the story fairly rattles along that each piece and chapter are dealt as briefly and bluntly as Wayne's character (he's called Pittsburgh, or 'Pitt', as well as the story set in the city of the same name) and it's frankly hard to keep up"
