Indy's undercover adventures continue in Barcelona, where he joins a trio of international spies -- Marcello the Italian, Charles the Frenchman, and Cunningham the Englishman. Together they contact an elaborate plot to disrupt the balance of diplomatic power and allegiances in the neutral city. Their fiendish plot, to make it appear as if the Countess of Toledo is carrying on an affair with a German colonel. Indy will help facilitate this illusion with his "low profile" cover as a ballet dancer in Sergei Diaghilev's Ballets Russes, a job he lands thanks to his previous acquaintance with Pablo Picasso. Indy is hired to "stand still," but he can hardly keep quiet as the complex caper begins to unravel during a performance thanks to the bumbling of his comrades.
Indy's next assignment is more-or-less solo and fiendishly cryptic. Posing as lady's undergarment salesman, he is to make his way to Prague, to check into a hotel in order to receive a phone call at a specific day and time -- innumerable lives are at stake. When Indy arrives, he discovers there is no phone installed in his room. The dehumanizing bureaucracy, endless forms, and mountainous paperwork required to get a working phone installed are labyrinthine and maddening. Can a clerk at the office, Franz Kafka, help navigate this surreal nightmare before Indy loses his mind?
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