Young Indy and his family meet Theodore Roosevelt, former President of the United States, who is on safari in British East Africa (now known as Kenya). Roosevelt is on an official expedition sponsored by the Smithsonian Institution to collect specimens for the National Museum in Washington. One particular specimen eludes him, though; the Fringe-Eared Oryx, which at one time was plentiful, now seems impossible to find. Indy is determined to help the awe-inspiring Roosevelt. He befriends a Massai boy, Meto, and learns about the ecology chain from a Maasai elder. Indy discovers the essential balance that connects all living things in the African savanna, and is troubled by the early 20th Century practice of killing animals for display in museum as a means of conservation.
Later, Indy then travels to Paris, to study the new artistic movements radically reshaping the artist scene. While the Louvre offers all sorts of staid classics, the "real" artists can be found living in some of the seamier -- and danger-filled -- corners of Paris. A young Norman Rockwell takes Indy into a bohemian café in Montmartre, where they see hot-headed artist Pablo Picasso and his quieter companion Georges Braques butting heads with an aging Edgar Degas. Picasso is determined to prove to the old guard Degas that he can paint as well as the former, and not single-handedly destroying the art scene as Degas claims.
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