The driver meets a ship carrying an eight-year-old Tibetan boy at a dark, deserted New York shipyard. But he's not the only one waiting. This was the least appealing of the bunch. The work was more a ballet with cars, with graceful chase sequences, timed choreography and classical music playing throughout. However, rather than being a full-fledged short film, it appeared to be more of just an extended commercial highlighting the cars features like air conditioning, power windows, etc. This one didn't work as well as the others.
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