Bored and frustrated with her homework, Kaoru longs for any kind of excitement not caring anything if it is a B.A.B.E.L. mission or playing a video game unaware that Ichirou (who has taken multiple photographs of what appears to be a lesbian affair between Naomi and her art teacher Ruriko) is the emissary of her volition when he approaches Minamoto for his help. Galvanized by lechery and libido, Kaoru cares nothing of the deja vu parallels of Ichirou's exhortation as she leads her teammates to the park where Naomi rendezvous with Ruriko to lead her on a date to an art gallery, a restaurant, and a cinema before heading to the high school art room. Once Kaoru telekinetically knocks the door down, she and her teammates find that Ruriko has painted three pictures of a man on a horse in spite of not wanting to. Suspecting that an esper is involved, Naomi had approached her art teacher with an offer of her services to resolve this imbrogilo. A telekinetic compression of disgust upon Ichirou for his lechery is the prelude for Naomi to explain what is really happening in the photos and for Kaoru to volunteer to resolve the situation. B.A.B.E.L. sets up an ambush for the perpetrator at Ruriko's apartment . . . sure enough, the perpetrator esper does his thing as soon as the art teacher begins drawing. Kaoru and her teammates give chase but are shocked to find that the horse decides an »Enough is enough!!!« forcible dismount. Once in B.A.B.E.L. custody for abusing his Level 5 exogenous metempsychosis, it is explained that Kikuchi Naoya only wanted Ruriko to acknowledge his infatuation for her but went about it the wrong way.
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