Los Angeles, 2000. Megan David likes to keep track of her life with a camrecorder. It’s her video-diary, her art project for the Biennale. It depicts who she is, where she’s going, how she’s going “to pop her cherry“ – as she informs her girlfriend. And hip video artist that she is, Megan has even picked out the right partner through the Internet - a theology major named Luke - for the summer of her deflowering at the Garden of Eden. But when the love-birds arrive on the motel, the concierge hands them the key to their room on a condition - they are not to eat the apple ...
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